By Ana María Garzón Mantilla
Artwork can reframe, transform, reenact or reconstruct fact. utilizing artwork initiatives which are
intervening in current social realities, this thesis strives to investigate how paintings can intrude
in the development of truth. The paintings works selected are more than a few stories that move
from participatory environments to video installations. Francis Alÿs, Jeremy Deller,
Omer quick, Thomas Hirschhorn, Pierre Huyghe, Vik Muniz, Walid Raad and Santiago
Sierra are utilizing resources that come from the commercial and political approach, interventions
in the standard and latest ancient proof. The works of art are wondering the codes of
representation, the relation with the opposite, the development of reminiscence and the authority
of historical past. there's a everlasting rigidity among the inventive representations and fact
itself; that is to assert, an everlasting clash among the fiction and the true. This thesis
examines practices which are addressing social and old stipulations, as a way to
compare techniques and conflictive events that seem within the versions utilized by the artists.
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Extra resources for The Fuzzy Line between Art and Life: Artistic Interferences in the Construction of Reality
Fifty eight Figure 14. Walid Raad, lacking Lebanese Wars, 1996-2002. colour pictures. www. theatlasgroup. org fifty nine Figure 15. Walid Raad, My Neck is Thinner Than a Hair: A heritage of vehicle bombs within the Lebanese Wars (1975-1991), 1994-2004. images. www. theatlasgroup. org. united kingdom. 60 Figure sixteen. Omer speedy, Spielberg’s checklist, 2003. channel video deploy. monitor captions from the video. sixty one Figure 17. Omer quickly, Spielberg’s record, 2003. channel video deploy. monitor captions from the video. sixty two Figure 18. Omer quickly, The Casting, 2007. 4 channel video install. reveal captions from the video. http://www. youtube. com/watch? v=TYfIxEfywKM This photograph has been got rid of for copyright purposes. sixty three Figure 19. Omer quick, The Casting, 2007. 4 channel video deploy. display captions from the video. http://www. youtube. com/watch? v=TYfIxEfywKM This photograph has been got rid of for copyright purposes. sixty four Bibliography Aitken, Doug and Huyghe, Pierre, “Pierre Huyghe”, in BOMB, No. 89. manhattan: New artwork courses, 2004. http://www. jstor. org/stable/40427673. Accessed: 27/03/2012 Alÿs, Francis, Cuauhtémoc Medina, Russell Ferguson and Jean Fischer, Francis Alÿs. London: Phaidon. Badiou, Alain, Being and occasion. London: Continuum, 2007. Baker, George, “An Interview with Pierre Huyghe”, in October, Vol. a hundred and ten. Cambridge: The MIT Press, Fall 2004. Barnes, Julian The experience of an finishing. manhattan: classic foreign, 2012. Baudrillard, Jean, Simulations. big apple: Semiotext(e), 1983. Baudrillard, Jean “The Ecstasy of Communication”, within the Anti-Aesthetic. Essays on Postmodern tradition. Edited by way of Hal Foster. Seattle: Bay Press, 1983. Bishop, Claire, “Antagonism and Relational Aesthetics”, in October No. one hundred ten. Cambridge: The MIT Press, Fall 2004. Bishop, Claire, synthetic Hells: Participatory paintings and the Politics of Spectatorship. London: Verso, 2012. Bishop, Claire, editor, Participation. Cambridge: The MIT Press; London: Whitechapel, 2008. Bishop, Claire “Participation and Spectacle: the place are we now? ”, in residing as shape: Socially Engaged paintings from 1991-2011. Edited through Nato Thompson. Cambridge: The MIT Press, 2012. Blackson, Robert, “Once More... with Feeling: Reenactment in modern artwork and Culture”, in paintings magazine, Vol. sixty six. big apple: collage artwork organization, 2007. http://www. jstor. org/stable/20068513. Accessed: 27/06/2012 Bois, Yve-Alan, portray as version. Cambridge: The MIT Press, 1993. Bourriaud, Nicolas, Relational Aesthetics. France: Les Presses du Réel, 2002. Bradley, Will, “The makes use of of Literacy”. In Afterall: A magazine of artwork, Context, and Enquiry, factor zero. Chicago: The collage of Chicago Press, 1998-99. http://www. jstor. org/stable/20711362. Accessed: 27/03/2012. sixty five Critchley, Simon, Infinitely difficult. Ethics of dedication, Politics of Resistance. London: Verso, 2007. Dasgupta, Gautam, “Remembering Artaud”, in appearing Arts magazine, No. 19, Cambridge: The MIT Press, 1997. Debord, man, Society of Spectacle (1967). London: insurgent Press, 1994. Derrida, Jacques and Prenowits, Eric, “Archive Fever: A Freudian Impression”.